Groats without groats

Groats without groats

In the old Polish cookbooks, groats are very popular as one of the basic ingredients of the daily menu. Looking at the names of the recipes included in those books, we often come across, for example "Egg groats," "Chicken groats" or " Crayfish groats." In this company, "Apple groats with almonds" or the familiar "Almond groats" sound less surprising. However, one should not be surprised by the variety and even refinement of the recipes, as such dishes were "the daily bread," or rather "the daily groats" of our ancestors. This is probably the reason why, alongside the casual everyday recipes, there existed luxurious and fancy versions of dishes with groats.

On the other hand, when we not only skim the tables of contents of old cookbooks but also read the recipes in detail, it turns out that groats, so often and boisterously invoked in the names of dishes, somehow disappear from the pages of those books. Let us then look for the delicacy that the old cooks promised to prepare for us in many different ways in the texts of their recipes. Reading the recipe for "Egg groats," we find out that to make the dish, we need cream, eggs, butter and sugar. Another necessary ingredient was rose vodka, but the author actually forgot to mention groats.
The ingredients for "Chicken groats" are, apart from the chicken: sugar, butter, breadcrumbs and of course rose vodka. It comes as no surprise that "Almond groats" consist of almonds, bread soaked in milk, butter, eggs, sugar and none other than rose water. So where are groats?

Well, apart from a few dishes that actually included groats, in the case of most recipes, we deal with false, hidden or even non-existent groats.

So what was the purpose of making groats without groats? If we study carefully the above (and many other) recipes whose names include the word "groats," we will come to the conclusion that they usually share two features. First of all, many, though not all of them include rose vodka. It served as flavouring and was added to all sorts of dishes. The second, though less obvious feature, as the text of the recipes did not show it directly, was the appearance of the resulting dishes. All of them looked like groats. Chopped and ground meat, eggs, almonds or bread with various condiments and the indispensable rose vodka (although in the recipe for "Wine groats," it is replaced with wine) were formed into thick pastry and boiled or baked. By the way, the poetics of false groats dishes is an evident copy of the luxurious versions of dishes with groats. A feaster who was served for example "Bread groats," "Brain groats," "Kidney groats" or the innocent sounding "Delicious groats" was not sure what exactly was there on his plate. To find that out, he had to start eating and - most importantly - activate his full memory of flavours, and determine whether the groats were made of crayfish, bread or kidneys. However, the true taste and composition of a dish was not the most important. What really mattered in Baroque aesthetics was the sweet (literally) moments of uncertainty, the illusion that attacked not only the eyes but also the sense of taste: the Baroque concept that was the core of many of the 17th century recipes.

Translation: Lingua Lab

Featured articles

1 / 3
    • Silva Rerum

      Stanisław Czerniecki's old Polish pierogi

      The famous Polish pierogi, recognised to be a Polish dish all over the world, have a long history. They are mentioned many times in Compendium ferculorum, the first Polish cookbook of 1682. The author included the first recipe for pierogi in the chapter w

      Miedziana forma do wypieków z pokrywą ma której widać ptaka. Jest to najprawdopodobniej kura lub kogut.
    • Silva Rerum

      Polish-style pike: the history of one recipe

      The Polish-style pike, described in numerous European cookbooks, deserves a few warm words from us. In the Early Modern period, the king of Polish fish and the cooks torturing it did more to make our country famous than many a Polish king, victorious comm

      Miedziana forma do wypieków z pokrywą ma której widać ptaka. Jest to najprawdopodobniej kura lub kogut.
    • Silva Rerum

      "Very good fashion for frying various confectioneries"

      The anonymous author of the manuscript cookbook of around 1686 devotes more attention to sweets than his contemporary Czerniecki. The same as in Compendium ferculorum, sugar is used here in recipes for various fish, meat and vegetable dishes. It is an imp

      Forma do wypieku z gruszką.
    • Silva Rerum

      Old Polish sweets

      Due to a high price of sugar, which for a long time was a hard to get exotic speciality, in old Poland sweets were the delicacy of the chosen ones. This is why the authors of old cookbooks describing the refined cuisine of magnates and nobility wrote abou